Barbara Kay gives rave reviews to Octave of All Souls
Writing about Canadian fiction last September, I bemoaned Canadian publishers’ penchant for somnolent navel-gazing over lively social commotion. I want novels written for real readers, not for creative-workshop peers.
As if waiting for exactly this gauntlet to fall, an author I’d never heard of sent me his novel. Braced for amateurism, I dipped in and was pleasantly shocked to discover an original, richly imagined and eloquently rendered literary world.
The book’s title is The Octave of All Souls. The author is 61-year old Robert Eady, an Ottawa area poet and essayist. Astonishingly, given Eady’s easy mastery over content and form, this is his first novel. Octave was published by a tiny independent press with little distribution, because the manuscript had been rejected by all large Canadian publishers. What were they thinking?
I’ll hazard a guess. That the novel was too politically incorrect to take a chance on.
It’s true that Eady is an unusually conservative Catholic (he attends a traditional Latin-rites church) and an outlier in the literary community — his writing was well-received until he wrote an anti-abortion poem, bringing publication offers to a juddering halt — but Octave is not a “Catholic” novel in any didactic sense. On the contrary, some of its most admirable characters are secular, and an unsympathetic character is a repugnantly obtuse, but devout Catholic.
Mortals — the good, the bad, the mostly in-between — are the novel’s subject. In Octave, Eady patiently picks apart a small town’s intimately tangled social circuitry through the lens of a vital, sensitive central character, a morally striving student of humanity on whom nothing is lost or wasted.




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